RÜZGARDA SALINAN NİLÜFER VE BAĞLILIK ASLI FİLMLERİ ÜZERİNE TOPLUMSAL CİNSİYET VE ORTA SINIFLAR BAĞLAMINDA BİR DEĞERLENDİRME

Bu çalışmada, Seren Yüce’nin Rüzgârda Salınan Nilüfer (2016) filmi ile Semih Kaplanoğlu’nun Bağlılık Aslı (2019) toplumsal cinsiyet ve sınıf tartışmaları bağlamında değerlendirilmiştir. Toplumsal ekseninde yapılan değerlendirme, özel alan – kamusal ayrımının cinsiyetçi karakteri hakkında süregelen tarihsel tartışma temelinde kurulmuştur. değerlendirme ise tabakalaşma tartışmalarındaki Marksist Weberci hatlar üzerinden kurulan bir izleğin üzerine Türkiye’de filmlerle ilgili çözümlemelerinde genellikle geleneği takip eden statü temelli yaklaşımlarının esas alındığı görülmüştür. nedenle bu çalışmada incelenen filmler, farklı yaklaşımla Erik Olin Wright’ın çelişkili konumları kavramsallaştırması alınarak yapılmıştır.[tr] This study examines the films The Swaying Waterlily (Seren Yüce, 2016) and Commitment (Semih Kaplanoğlu, 2019) in terms of gender social-class discussions. evaluation made on axis discussions is based ongoing historical debate over sexist character distinction between private public spheres. In this context, it first stated that sphere generally identified with women, whereas men; after that, Nancy Fraser’s subaltern counter-publics conceptualization, which supports presence women sphere, addressed. Historically, have been positioned sphere. article addresses issue case two Aslı. It argues establishes a narrative emphasizing naturally belong to private-household film’s director, skillfully constructs narration using range cinematographic elements. contrast, welcomes more positively. Although Yüce includes complex social mechanisms work against he does so way opens wide space for article’s carried out through lens Marxist Weberian approaches, as these are dominant approaches about classes especially position middle class literature. While analyses Türkiye status-based stratification follow tradition, takes different approach, one tradition—specifically, Wright’s conceptualization counts. On reading, monotony, restlessness, search meaning lives characters both associated contradictory their mainly due fact white-collar workers wages, while fulfilling management control functions wage earners favor capitalist class. suggests unrest daily may also be related such Nevzat Evrim Önal’s defense used make sense some attitudes behaviors people. Önal categorizes develop escape from they nihilistic defense, hedonistic mystical infantile defense. study, life evaluated by connecting them mechanisms. concludes or constitutes film adopts conservative attitude willing positive approach existence second axis, middle-class lives, draw attention unpleasantness, meaninglessness, lack communication lives. movie Aslı, all situations presented within main line woman withdrawn sphere; Waterlily, done watchful style.[en]